This series investigates the relationship domestic chores and objects have as a way to seek both comfort and control. Specifically in the housework of laundry, as a physically demanding task that brings comfort and care to a private household. 
 

The history of laundry from the 1800's was heavy, dirty, and dangerous work for women, in contrast to the light, clean and delicate comforts that it brought. I find the task of washing, hanging and ironing as physically controlling, while also being rhythmic and contemplative in mind. This can bring sisterly comradery and a peaceful inner world, not unlike the physically demanding process of working with clay as a material. The heavy, dirty, manual labour of ceramics and the laundering norms of that time provide a domestic comfort that feels meditative and worthwhile in its pursuits, for both oneself and the care of a household. Following this concept, I used the traditional metal “sad irons” as the inspiration for the tea body shape and handle, encircling the tea body and stand with a trim that mimics starched collars and lace sleeves.

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Exhibited at New Brunswick Library of Craft & Design.